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The surface is highly burnished and polychrome painted in natural tones of cream, red, purple, orange, brown and black. The top of the vessel is nicely decorated (a rare feature) with carved vertical lines and triangular patterns filled with pierced dots. Assembled from four large pieces and a dozen or more smaller shards with breaks restored inside and out. Despite considerable restoration, it appears intact and displays beautifully on a custom metal ring stand that is included. A rare example from a time just prior to the collapse of the Maya civilization. The vessel sits on a slightly rounded bottom and is topped by an arching stirrup handle with slightly flared spout, indicative of Phase III. A small area of damage to the spout has been restored, otherwise it is intact and original. At the back is a third tripod (support) leg and above that is the mouthpiece for an internal whistle. Beautifully decorated with a wide band of incised angular designs around most of the outer rim. The cheeks have additional incising that indicate facial tattooing or ritual scarification in the woven mat motif suggesting this individual was of the elite ruling class. 15 original pieces with restored break lines and small losses replaced. A large area of fire-clouding and surface discoloration on one side and the bottom. An exceptional example that is masterfully crafted. Prominently featured at the top is a band of stylized jaguars and plumed serpents. These being rendered upside-down is symbolically important and is thought to imply that the bottom register is depicting a scene from the Underworld; an inversion of the earthly realm above and symbolically suggests a sense of duality. The raised ring, just above the base has been partially restored, otherwise completely intact and original with no chips, cracks or breaks. At his side is a (conjoined) standing llama with elongated body. Almost certainly he is a shaman or a person of great importance. — West Mexico 100 BC - 250 AD A nice pair of Jalisco female figures. An elegant shape with a flared pedestal base and a sharply angled bowl. The upper shoulder of the bowl is decorated with finely incised linear and stippled geometric patterns. A relatively unknown culture, their pottery is exceptionally well crafted and beautifully painted in colors and styles very similar to the neighboring Tiwanaku, but their wares are typically more refined in their execution. Antara 1 is — Costa Rica - Panama 1000 AD - 1500 AD An adorable terracotta deer effigy vessel from the border area of Costa Rica and Panama - Diquis Zone, dating to the Chirique Phase, Period VI. Hollow construction with a domed front showing an avian motif. The dog is realistically sculpted, nicely detailed and sits atop a box-shaped (cube) lower chamber. — West Mexico 100 BC - 250 AD A medium-large redware phytomorphic vessel from the Colima region of ancient West Mexico. Sometimes referred to as corn-poppers based on their form, they were actually used as ceremonial water dippers by the ancient Moche. 0 — Peru 400 AD - 700 AD A nice Moche pottery trumpet from ancient Peru, dating to Phase IV. The long, hollow tubular body is curved (looped) at the top, ending with the mouth-piece. Bi-chrome painted in red and cream with three sets of chevrons radiating outward from the center along with pairs of wavy lines. Displays well on the custom metal stand which is included as shown. The sides are nearly vertical and flare slightly at the rim. 00 — Costa Rica - Panama 1000 AD - 1500 AD An adorable bird vessel from the border area of Costa Rica and Panama (Diquis Zone) dating to the Chirique Phase, Period VI. It depicts a seated figure with hands resting on the knees, polychrome painted with linear designs in shades of red and brown against a cream ground. 0 — Ecuador 300 BC - 300 AD An unusual avian motif pottery rattle sculpture from the Manabi Province of ancient Ecuador. Some light surface wear, scrapes and minor imperfections as would be expected. See Klein and Cevallos "Ecuador - The Secret Art of Pre Columbian Ecuador" for additional scholarly information on ancient Manteno art and culture. A very diverse grouping with examples ranging from the early cultures of Mexico, down through Central America to later cultures of Peru. Flat bottom with rounded body and tapered neck topped by a large inverted rim with incised decoration and a scalloped edge. In good condition with some rim restoration and the tip of the handle restored, otherwise intact. There is a similar example of this type on display at the Davis Museum and Cultural Center of Wellesley College in Massachusetts. The highly burnished orange-red surface shows calcified deposits and mineralization, heavy in some areas. This example is constructed of buff terracotta and is in very good condition. The lightly burnished gray surface has a large area of (almost black) fire-clouding. For comparable examples of this exact type, as well as additional scholarly information, see "Sculpture of Ancient West Mexico", by Kan, Meighan & Nicholson, page 141. Minor restoration to a very small part the figure's right eye and eyebrow, otherwise intact and original. The central design element is a wide band of highly stylized stingrays. The exterior of the vessel has some light paint enhancements and there is a shallow one inch pock-mark in the bottom, but it is completely intact with no breaks or cracks. Two of them still have scattered remains of yellow pigment in the crevices. One has a few minor chips and another shows light erosion on one side, but overall they are intact and are fine examples. The figure is nicely adorned with ear spools and a wide pointed collar, likely representing feathers. The figure has been reattached at the legs and the break restored. See page 209, plate 122 of Klein and Cevallos "Ecuador - The Secret Art of Pre Columbian Ecuador" for a comparable example and additional scholarly information. 9" tall x 6" across 00 — Ecuador 500 BC - 500 AD A choice Jamacoaque pottery vessel featuring a matched pair of conjoined bowls. He is shown wearing a complex headdress with two-pronged horn on top, long side flaps down the back and cone-shaped nodes on the frontal ridge. — Peru 900 BC - 500 BC Early stone items from the Chavin culture of Northern Peru. Unlike the more common "pretty lady" type, the form is more stylized. These wooden barbed points would have been lashed to longer shafts and were most likely used for fishing in the rivers and coastal waters. A type that later evolved into the more realistic and refined 'pumpkin' vessels. Above that, deeply corseted sides are carved with a stylized woven "mat" pattern. Black painted decoration on the headdress and body. The figure contains numerous rattle balls and a whistle in the base. A fine and rare example with excellent published provenance. Approx 9" tall x 6.5" across 00 — West Mexico 300 BC- 200 AD A nice terracotta bowl from Jalisco, West Mexico. The lightly burnished surface is a creamy yellow-orange with a red stripe just below the rim. 7" across x 5" tall 0 — Mexico 500 BC - 100 BC A lovely Chupicuaro brownware pottery bowl.An anthropomorphic form showing a mix of human and animal features. The highly burnished surface shows mineral deposits and earthen deposits along with minor surface scrapes and scratches as is common. The whistle works perfectly and has a loud, deep, resonating tone. The geometric patterns are resin painted in shades of red, green, black and white. Drexel University Museum of Natural Sciences, Philadelphia, PA. 5 — Peru 400 AD - 500 AD A small Nazca (miniature) kneeling figure from ancient Peru, dating to late Phase V to early Phase VI. The surface is a burnished rich brown color with the incising filled with white kaolin, typical of Belen pottery. Light surface wear, minor paint loss and deposits present overall. At the back is the vessel opening, topped by a widely flared spout. Terracotta construction with bright yellow-orange paint on the face and body. One is seated, the other standing, but stylistically they are nearly identical. The burnished surface is a deep orange-red with areas of dark brown fire clouding and light deposits. The base is intact; the bowl has been assembled from approx. This example is a four-lobed, squat bowl with a low base and a wide flared rim with opposing loop handles. The deer is a 6-point buck, most likely the 'white-tail' variety native to that area and found throughout the Americas. Just under 6" tall x 6.5" long (nose to tail) 0 — Mexico 400 BC - 100 BC A trio of Chupicuaro 'Pretty Ladies' from ancient Mexico, dating to the Pre-Classic period. On the front are two birds in low relief (repousse); a mother bird standing over her young. He wears a collar and has carved whiskers along with other incising on the head and face. Approx 9" tall x 4.25" across 5 — Guatemala 400 AD - 600 AD A large and complete Early-Classic period Maya 'Escuintla' incensario (brazier) from the Highlands-Pacific Slope region of Guatemala. 00 — Peru 1000 AD - 1400 AD A nice Chancay canteen from ancient Peru. — Costa Rica 400 AD - 800 AD Three rare pottery pestles from Costa Rica's Atlantic Watershed Region. Vessel #3, Right - Incised sunburst design around the upper shoulder. Restored neck break and restored stress cracks on the lower body. This olla-form vessel is a stylized cactus showing a wide band of raised ribs and nodes sculpted around the midsection. The body is rounded, angles sharply at the shoulder and tapers toward the neck, then flares gently to a wide spout. This example is beautifully painted using the fine-line method in shades of red against a tan/cream background. The bottom tapers gently and is slightly flared at the end. The shallow bowl sits on three pointy, hollow legs containing rattles. A three-inch section of the rim has been restored along with one leg. Large, hollow ball-shaped feet are slotted diagonally. Well sculpted in the form of a stylized bird with wings in high relief tucked to the sides. The eyes, nose and mouth are in high relief along with large circular ear spools. Originally acquired in 1972 from Hartwell Kennard of Mc Allen, Texas. 5" tall x 3.75" across 5 — Peru 100 AD - 400 AD A Nazca pottery bowl with geometric designs. It depicts three birds perched upon conjoined spheres. Burnished redware surface with a few areas of fire clouding. It has never been overly cleaned and still shows ample deposits along with earthen encrustation in the crevices. Just over 11" tall x 6" across 00 — Costa Rica 300 AD - 700 AD Tripod vessels from the Atlantic Watershed region of Costa Rica. Sizes range from very small to tiny with various types of surfaces; polychromes, blackwares, red and orange wares, etc. Additional provenance and info (specific cultures and dates) on each piece will be provided to the buyer. 1.25" tall to 2.25" tall 50 — Peru 650 AD - 800 AD A nice Wari (Huari) vessel from ancient Peru. 0 each or 0 for all three — Ecuador 300 BC - 400 AD An unusual Jama Coaque figure from ancient Ecuador. 7.25" tall x 7" across 50 — Mexico 300 AD - 400 AD A medium-large Teotihuacan tripod vessel dating to the Early Xolalpan Period. 0 — Peru 200 AD - 400 AD A lovely Nazca pottery vessel from ancient Peru. Some spalling and pitting on the exterior has been restored along with light paint enhancements, but is intact and never broken. In excellent condition with no cracks, breaks or chips. A few restored cracks on the side and the top rim have been partially restored, otherwise it is intact and original. Considerable light-colored mineralization overall, heavier in the deep crevices. One spike of the central plum and one ear tuft partially restored along with a single hairline crack restored on the body of the vessel. Some very light surface wear, chipping and abrasions along with mineral deposits remaining, all consistent with age and extended burial. He also wears a domed headdress and is holding a large pan flute. A single stress crack along the lower chamber has been stabilized and restored. The bowls are attached at the rim and again at the base. The surface is a lovely pale-orange slip and shows deposits and fine root marks. A long cape drapes from the shoulders to below the knees. A shallow stone dish, nicely carved and in excellent condition. - 0 — Costa Rica 100 BC - 500 AD An exceedingly rare Huetar pottery slit drum from the Atlantic Watershed region of Costa Rica. She stands on splayed feet with arms held to the side. Somewhat crudely made and thick walled, typical of the period. 7" across x 7" tall 5 — Guatemala - Honduras 600 AD - 900 AD A carved and painted Maya bowl dating to the late classic period. NOTE: This exceptional artifact is featured in the well known (1968 - Abrams) book "Pre-Columbian Art of Mexico and Central America" by noted author, Hasso Von Winning. The bottom has four elongated chevron designs done in stippled (dots), painted in red. Two large rim sherds have been reattached and breaks restored, otherwise intact. The low, wide bowl has a slightly rounded bottom, deeply corseted sides, and a stepped lower edge with impressed rope design. See page 220 of "Between Continents-Between Seas, Pre-Columbian Art of Costa Rica" for a nearly identical example. Done in the Macaracas style; painted with complex geometric and abstract zoomorphic designs that are divided into four segments. 5 — Peru 1350 AD - 1550 AD An exceedingly rare and exceptional Inca bone poporo (lime dipper & container). From the Northern Coast of Peru, this piece dates to the late Chimu - Inca transitional period, Intermediate to Late Horizon. On the exterior is a wide painted band of eight (8) seated lords. Purchased from in 2001 via consignment by Howard Nowes, Art of Eternity Gallery, NYC. One theory is the birds carry planting sticks and the scene is an agricultural motif.
The figure's head has been reattached and one arm has been replaced, otherwise intact. The face is nicely detailed with typical coffee-bean style eyes and slit mouth. Both legs have been reattached along breaks at the upper thighs, otherwise intact and complete. Bowl #1 (Top), Large, shallow bowl with small nubbin tripod feet, widely flared sides and decorated with incised scalloped (cloud) designs. Buff terracotta construction with some white stucco remaining in the deep crevices and light earthen deposits overall. Similar examples can be seen in the book "Hidden Faces of the Maya" by Linda Schele. Known as the "Disjunctive Style" in which the complex designs of the earlier periods were vastly condensed and abbreviated to simple lines, circles, waves and chevrons. Approx 7" tall x 6" across 5 — Guatemala 300 AD - 600 AD Large Maya creamware vessel from the Southern Lowlands of Guatemala, dating to the Early Classic Peord. The dome retained the heat within and allowed the incense offering to smolder and emit smoke from beneath the bottom edge. Spout reattached with restored break - 3) Tripod vessel (right) - Approx. Lovely bowl with solid (rare, human-form) legs and in perfect condition - 0 Priced individually or 0 for all three — Mexico 1000 AD - 1500 AD Post Classic period Mixtec tripod bowl. All are well made, thin walled examples of "bisque ware" pottery, typical of that region. Also included is a six-inch long, bone weaver's wand topped by an incised human face. One is over ten inches long and still retains its original thread. Both spindles have nicely decorated terracotta whorls.Contact me via email at: [email protected] call 828-322-2942. All international shipping costs, insurance and import fees are the responsibility of the buyer. 0 — West Mexico 300 BC - 300 AD A large Colima olla from ancient West Mexico. The simplistic style is typical of late period Maya pottery. Assembled from eight original pieces with a large section of the bottom and two shards on one side replaced. These 'swirl' patterns are references to water or ocean waves. An angular form with a blunted tip, there is a face carved into the upper portion showing minimalist features of the eyes and mouth. A nice and seldom seen example that displays well on the custom metal stand that is included. He wears elaborate regalia - ear ornaments, a broad collar, knee pads, loin cloth and sandals on the feet. The exterior shows applique facial features and complex incised geometric patterns. The vessel is topped by a gently tapering spout with a collared base and thick rim. It is thought that rattles of this type were worn on the fingers or as pendants and 'played' during ceremonial events or celebrations. One broken shard has been reattached and small losses replaced. A very rare example that depicts a mix of cultural symbolism. The exterior has vibrant polychrome painted decoration in black and orange-red against a cream/white slip. Behnkin via deaccession from the Greenville County Museum of Art in South Carolina. The warrior figure holds a shield in one hand and a club in the other. He also wears several types of jewelry consisting of a nose ring, large ear ornaments and two necklaces; a beaded choker at the neck and a long necklace that drapes over the shoulders and ends with a circular pendant. 7.25" tall x 8" across 0 — Bolivia 400 AD - 700 AD A rare Janus-type pottery bowl from the Omereque culture of Bolivia. The shallow bowl is polychrome painted with red and black on an orange background. The exterior has wide bands of red and smaller black lines circling the outer rim. Assembled from four original pieces and the break lines restored along with some light paint touch ups. Originally acquired in 1972 from Hartwell Kennard of Mc Allen, Texas. 6.5" across 0 — Guatemala 250 AD - 600 AD A huge Maya tripod cylinder vessel dating the the Early Classic Period. The figure is nicely adorned with elaborate ear spools and bracelets. An amazing collection of 21 (twenty-one) Pre-Columbian miniatures. 5 — Mexico 250 AD - 650 AD A Pre-Classic (Phase I) Zapotec miniature vessel from the Monte Alban region of Central Mexico. Could be a honey dipper or possibly a baby feeder, but it also functions as a whiste. Two holes near the rim were used for suspension or to secure a lid. Minor rim chips restored along with some light erosion around the top. The tail on the back is hollow and served as a handle and pouring spout. Coatimundi were called "chic" by the ancient Maya and are similar to the North American raccoon. Also has two raised ear-like tufts on either side of the center crest. She is adorned with ear spools, a beaded necklace and arm bands/bracelets. Rounded bottom and flared sides, nicely polychrome painted in multiple colors. Used in ancient times to apply body paint and decorate woven fabrics, sellos were made as cylindrical roller-types and flat stamp-types. 3" long x 1.75" wide 0 for all three — Ecuador 1000 AD - 1500 AD A fine Manteno figural vessel from Pre-Columbian Ecuador. 0 — Ecuador 500 BC - 500 AD An exceptional Jamacoaque pottery figure of a seated Shaman. All show wear with some cracking and splintering consistent with age. A rare item from a time when shaft tombs were first being developed. Several breaks across the body have been restored, but it is all original and appears near choice.— Peru 400 AD - 600 AD An attractive Nazca figural stirrup vessel from ancient Peru. An elegant form; the vessel is round-bottomed and has an elliptical body with sharp shoulder and flared spout. The break lines have been restored and are slightly visible. Water was a precious commodity in ancient Peru and often depicted in their art. Across the upper torso is a feathered cloak along with feathered headdress and back assemblage. 00 — Peru 700 BC - 100 BC A large and attractive pottery bowl from the early Paracas culture of southern coastal Peru. Around the top and back are wide bands of interlocking angular designs, likely representing a textile head wrap. A wide strap handle connects from the spout to the upper shoulder. A small chip at the rim of the spout has been restored, otherwise intact and original. Decorated in a variety of symbolic and geometric patterns. For additional info and a photo of a nearly identical example, reference page 103, image 212, of "Seeing with New Eyes" Highlights from the Michael C. He wears a large headdress, likely representing a stylized bird. The degree of adornment indicates this individual is of high ranking social status. — Costa Rica - Panama 1000 AD - 1500 AD A lovely pedestal bowl from the border area of Costa Rica and Panama - Diquis Zone, dating to the Chirique Phase, Period VI. The Omereque (also referred to as Mizque and Nazcoide) were a subculture of the Tiwanaku (Tiahuanaco). All are approx 2.5" tall Top, center figure is — Peru 300 AD - 500 AD A large Moche ear spool from ancient Peru. 0 — Peru 900 AD - 1100 AD An adorable Chimu dog stirrup vessel from the North Coast region of ancient Peru. 5 — Peru 350 AD - 600 AD A Moche Canchero from Peru. 0 — Mexico 300 BC - 100 BC A Chupicuaro tripod rattle vessel. Deposits and root marks present, mostly on the underside. The elegant form shows strong Teotihuacan influence. 5 — Costa Rica 1200 AD - 1500 AD A nicely painted Nicoya figure from ancient Costa Rica. His face is expressive with pointed chin and elongated coffee bean eyes. Completely intact and original with no repairs or restoration. The collection includes vessels, human and animal figures, a tiny mace head and three working whistles . Grayware terracotta with a nicely burnished surface. It will whistle loudly by blowing across the opening, much like one would 'play' a glass soda bottle. The blackware surface is nicely burnished and shows considerable deposits and root marks. They are curious and mischievous animals that were kept as household pets by the Maya and are sometimes depicted in their art. A tapering stirrup handle with a short spout typical of the type and period. This is a large and unusual type of Colima figure that is only found in the Coahuayana Valley region. At the top is a step-fret pattern, below that is a thin band of elongated trophy heads. These roller stamp sellos are deeply carved and show geometric and mythological zoomorphic designs. Rounded lower chamber with a concentric (graduated) stepped form, topped by a seated figure playing a pan flute. Heavily adorned; he wears an elaborate jewelry assemblage: a large spherical nose-piece, huge ear spools and a perctoral. - 5 — Western Mexico 200 BC - 200 AD An unusual Michoacan standing female figure. Collected pre-1970 5 — Peru 1100 AD - 1450 AD A collection of five Chancay harpoon points. This being a very early example of a gadrooned, plant-fruit form vessel. Rounded bottom, carved with repeating geometric designs. Some minor fading to the black paint, otherwise completely intact and choice. Approx 6" across x 3.75" tall 5 — Mexico 600 AD - 900 AD Published Veracruz Nopiloa maternal figure dating to the Late Classic Period. She wears an elaborate headdress along with beaded necklace and bracelets. Ample deposits and areas of wear as would be expected.The rim of the bowl is incised with geometric patterns and the surface is a lightly burnished rich brown slip. The spout is tall and flares slightly with handles that attach to the upper shoulder. The surface is nicely burnished and has deposits along with minor scrapes and dings. Minor losses replaced and break lines restored, but appears intact. An impressive size that displays dramatically on the custom metal stand that is included. Redware construction covered with areas of burnished cream and red slip. The end of the phallus has been assembled from several original pieces with restored break lines and a small (stable) pressure crack at the rim, otherwise intact. Bat claw effigy vessels are characteristic of later (Period IV) Zapotec artistic style. Vessels of this type were used to store and transport liquids such as water and corn beer (Chicha). See Christopher Donnan's "Ceramics of Ancient Peru" page 103 for a very similar example and additional information. Highly burnished brown-ware construction with scattered deposits. Assembled from several large pieces with restored break lines. He is grasping his opponent and wields a tumi knife. Acquired via inheritance from her mother who was an artist, collector and world travler. Although referred to as 'axes', these were not made for use as weapons, but were chisels (tools) used to shape and carve stone. Also included is a stack of (10 or so) smaller pieces that have been fused together by oxidation. A wide band at the midsection shows a connected diamond pattern. Constructed of grayish terracotta, burnished overall and painted with faint wide bands (in red) around the outer edge. At the top are two stepped ridges that encircle the spout, loop handle and spherical whistles. 0 — Costa Rica 1200 AD - 1500 AD A beautifully painted 'Pataky Polychrome' tripod vessel from the Nicoya-Guanacaste region of ancient Costa Rica. Nicely knapped from black volcanic glass, these rare and fragile objects were worn as pectorals via two suspension holes. At the lower front, the lord's hands extend outward holding staffs decorated with beaded plumes. He also wears large ear spools and a beaded necklace with multi-layered tassels. Hollow, terracotta construction; it depicts a seated youth with typical gleeful expression. Polychrome painted in the 'fineline' technique with red and black against a tan slip. Townsend's "Ancient West Mexico", page 79, for similar examples and info on this type. A cylindrical bowl sits on three solid rectangular legs. The legs are hollow and contain numerous rattle balls. Light surface wear consistent with age and extended burial, but is intact and original with no repairs or restoration. Also has a few hairline age cracks, but overall the vessel is stable and complete. Substantial in size and larger than most of this type. The colors range from light blue-greens, browns-tans and gray-blacks. Constructed of light orange-tan terracotta, typical of Jama pottery. The central image is a depiction of the Maya mythological God, 'Water Lily Jaguar'. The tips of the legs are restored; otherwise intact. The nicely burnished blackware surface shows light deposits and strong root marks and trails. The light gray surface shows moderate deposits inside and out. He wears ear and nose ornaments along with a chin plug (labret). Both have rounded bodies, large loop handles and figural spouts, likely representing monkeys. The tall headwrap features a large curling, spiral plume in high relief. 00 — Peru 1000 BC - 400 BC An early Chavin brownware stirrup vessel from ancient Peru. It is similar to those found at the Shillacoto site in Huanuco. Assembled from numerous pieces with areas of replacement and significant amounts of paint enhancement. The underside is only partially restored with visible break lines. Surface shows minor wear and paint loss with light erosion, all consistent with age. Large figures of shamans, such as this one, are indicative of their high status in Jamacoaque culture and are often depicted displaying their ceremonial paraphernalia as symbols of power. Displays well on custom metal stand which is included as shown. A few imperfections but shows nice deposits and has a sharp chiseled edge. Collection of Bernard and Bernadette Lueck, Founders of the Heritage of the Americas Museum in El Cajon, California. Celt 1 (left) - Well carved from a blue-green hardstone showing fine details. A large example with an elegant form that displays beautifully.Some pitting and erosion present, mainly on the bottom. Assembled from around two dozen original pieces with restored break lines. Some minor surface erosion along with deposits and small areas of light fire clouding. Typical grayware terracotta construction; it shows four front claws and a fifth rear claw on the side, all connected to a vessel with a flared rim. Ica is one of the lesser known ancient Peruvian cultures that lived mainly in coastal areas and were eventually conquered by the Inca. Two small spout chips have been restored along with very minor paint touch-ups. Base, rim and other small losses replaced, but mostly original and complete. See "Teotihuacan, Art from the City of the Gods" pages 240-242 for a similar example and addtional information. He is fully engaged in battle with the Decapitator God who also armed with a tumi knife and is holding a severed head. Both are very heavily cast; thick and heavy with large 'T' flanges. The top section is divided into quadrants each with a central figure. The spout is in the form of a penis with the strap handle attached to the side. One whistle has been returned to working order, the other is non-functioning. The Abrams made their fortune in the publishing business and were avid collectors of fine art and artifacts. Much of their collection was donated to numerous museums. Constructed of reddish earthenware covered overall in a cream slip with red, orange and black painted designs, typical of the type. Approx 4.5" tall x 6.5" across 5 — West Mexico 200 BC - 100 AD A Chinesco seated female figure from the Nayarit region of Western Mexico. The two shown here are incomplete; each is missing a portion of one side. The beaded feather assemblages are repeated along the top of the headdress along with tassels and circular appliques with carved geometric designs. In one hand is a spherical object, likely representing a pottery vessel. 0 — Ecuador 300 BC - 500 AD A Bahia vessel from ancient Ecuador. 0 — El Salvador 400 AD - 700 AD A Maya glyph bowl dating to the Classic Period. Both arms are extended upward in a welcoming gesture. 00 — Peru 900 AD - 1200 AD A Chancay woven textile panel from ancient Peru. The central image is divided by a red band, half in a curving serpent-like design, the other half in a basket-weave pattern. The lower half of the vessel has incised geometric designs known as the 'flame-brow' motif. The flame-brow design originated on Olmec pottery from approximately 1000 years earlier and has also been seen on Maya vessels of eastern Mesoamerica. The surface is an orange buff terracotta with a few areas of fire clouding. A superb example that is larger than most of this type and displays dramatically. The lid which covers the opening is probably not original to the piece, but was acquired from the same collection. The vessel can be displayed without the lid if desired. A personification of God III (G3) from the Palenque Triad. In near choice condition with small rim chips, minor scapes and dings otherwise intact and original. A wide multi-layered necklace with a large pectoral featuring a standing figure. In very good condition with moderate paint loss and deposits, but both are intact and unbroken with no repairs or restoration. A 'fabric' band across the chest and the loincloth at the waist are relief carved with complex geometric designs representing the patterns of woven textiles. A classic example of Chavin pottery with a combination of textured and smooth surface decoration. Made from highly polished black anthracite stone as is typical of this type of mirror. Displays well on the custom metal display stand which is included as shown. 3' (Chapter III) by Seiichi Izumi from Tokyo University for additional info and similar examples from the Shillacoto site in Huanuco, Peru. The interior of the base is unrestored (glued only). 5 — Peru 1100 AD - 1450 AD An unusual Chimu - Inca blackware Achira vessel from ancient Peru. Constructed of tan terracotta with orange pigment on the face and nose ornament. There are light stains (sticker residue) on both sides. Included is a small, but lovely Maya stone celt, also from the Classic Period. Pendant - Approx 6" tall x 3.5" across x .25" thick. Celt - 1.75" long x 1.25" across x 3/8" thick 5 for both — Costa Rica 200 AD - 600 AD Two Costa Rican Axe God celts (pendants) from the Guanacaste/Nicoya region. It depicts an anthropomorphic figure with hands across the chest. Just under 9" across x 3" tall 0 — Costa Rica 1200 AD - 1500 AD Large Costa Rican "Castillo Incised" blackware tripod rattle vessel dating to the Late Period. 0 — Costa Rica 400 AD - 700 AD Very large Costa Rican tripod rattle vessel from the Central Highlands - Atlantic Watershed Zone, dating to Period IV-V.